Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,   Related Paintings of RAFFAELLO Sanzio :. | The Loggia of Psyche | Madonna and Child with the Infant St John | Spozalizio | Portrat des Papstes Leo X | Madonna with the Fish |
Related Artists:
Leon Frederic
1895-1897
Pawel Andrejewitsch Fedotow
painted Junge Witwe in 1851
e. j. f. bendemann
Eduard Julius Friedrich Bendemann (3 December 1811, Berlin - 27 December 1889, Dusseldorf) was a German painter. Bendemann was born in Berlin. His father, Anton Heinrich Bendemann, a Jewish banker, monitored his education closely; it was one that would have naturally led him to some sort of technical occupation, but his talent and propensity towards art resulted in his being allowed to pursue other interests. His mother Fanny Eleonore Bendemann nee von Halle, also a daughter of the Jewish banker Joel Samuel von Halle. After he completed elementary school he enrolled in the Wilhelm von Schadow's School in Dusseldorf. In 1830 he went on a school trip to Italy. After a series of jobs, among them with Boas and Ruth, his talent as an artist began to show, especially with his very large 1832 painting titled, The Sad Jews of Babylon which was featured in the Berlin art exhibition. The picture garnered a great deal of attention, which was in part due to the deep and simple feeling and the noble composition of the piece (museum in Cologne). Bendemanns second picture: The Two Girls at the Well (1832), was acquired by the North Rhine-Westphalia art association. Soon thereafter followed Jeremias on the Ruins of Jerusalem for which the artist received a medal in Paris in 1837. This painting was for the most part about the progress of the Jews in Babylon. (Royal Palace in Hanover). His best known work is The Harvest. The artist's first fresco was a symbolic representation of the art at the Poetry Well at the house of his parents-in-law in Berlin. In the year 1838 he was appointed professor of the academy of arts in Dresden, where he had the opportunity to paint even larger frescos. Bendemann was given the task to decorate three halls of the Dresden royal palace, the throne room, the tower room, and the tower hall with wall paintings. In the throne room, on both sides of the throne, there are representations of important rulers and legislators in gold leaf with smaller representations in relief form below, from Moses up to Albrecht III, the King at the time. On the wall facing the throne there are four paintings depicting events from the life of King Heinrich I each with other pictures attached which explain each of the four events. Bendemann died in Dusseldorf.